
And here's one I did earlier today. The paints were different, started out lighter, and I used some metallic paints. This one was left for four hours with the salt on, but the metallic paints did not spread. Still, I kind of like the results.

And here are these two fabrics after they have dried some. Phil Beaver wants the fabric to take about 4 hours to dry before the salt is removed. So far, if I leave the salt on for that long, I am not happy with the results because the light spots get way too light. I took the salt off after about two hours on these pieces.
I spent this afternoon painting some fabric for the holiday fabric exchange next week at the Fibervision holiday celebration. I really like the results of the technique taught by Phil Beaver at Quilter's Escape in May of 2007. Phil is a great teacher and the retreat was well run and great fun. These are two pieces right after paint, water, and salt are applied. I will post the results later.
The artists of Fibervision had an opening reception tonight at the Everhoj Museum of History and Art in Solvang, California. The reception was well attended and there was nothing but praise for the work itself and the setting it was in. Congratulations to all who participated in this show and special thanks to Lorna Morck for riding herd on the artists and for convincing Esther Jacobsen Bates, Executive Director of the museum to give fiber art serious consideration.
At PIQF last month, I took a class with Lyn Worley. The fabric was hand-dyed by Lyn and we created the surface design in the class. This is hand-dyed habotai silk, stamped and free-hand dye discharge, stamped and free-hand gold paint. Don't know what I'll do with it, but right now I am simply enjoying looking at it.